NEWS ITEMS

PHILLIP WALKER 1937-2010

It is with deepest sorrow that we report on the sudden and unexpected passing of legendary blues guitarist Phillip Walker. He died of apparent heart failure at 4:30 AM, early Thursday morning, July 22, 2010. He was 73 years old.
Born February 11, 1937 near Lake Charles, Louisiana, in the small town of Welsh, Phillip Walker's earliest musical influences came via the Cajun and Creole rhythms he heard as a youngster. A second cousin to Clarence "Gatemouth" Brown and huge admirer of T-Bone Walker, Phillip began making a name for himself in the early 1950s with his first recording session backing pianist Roscoe Gordon. At the age of 16, Walker left home to tour with Zydeco king Clifton Chenier (who incidentally gave the young fledgling Walker his first bona fide guitar) and never looked back.
After relocating to Los Angeles in 1959, Walker cut his first side as a bandleader; the storming "Hello My Darling", produced by J.R. Fulbright for Elko Records. His first full length album didn't appear until much later though. With the help of long-time supporter and producer Bruce Bromberg, Walker cut the excellent LP "The Bottom of the Top" in 1973 for Hugh Hefner's short-lived Playboy label. Over the next three decades Walker's musical career continued to pick up steam with numerous recording projects for HighTone, Black Top, Rounder, JSP and Alligator Records.
In 2007, Randy Chortkoff signed Phillip Walker to Delta Groove Music and released the critically acclaimed CD "Going Back Home". The recording session featured the renowned guitarist going back to his roots and exploring the rich musical history of Louisiana, Texas and West Coast Blues on classic material by Lowell Fulson, Ray Charles, Lonesome Sundown, Lightnin' Hopkins, Champion Jack Dupree and Frankie Lee Sims among others. Going Back Home was later awarded Best Album of 2007 in the New Recordings / Contemporary Blues category by the Living Blues Awards Critics' Poll.
Label CEO Randy Chortkoff shared some of his fond remembrances of working with Phillip these last few years by stating "Phillip was a consummate gentleman and it was an absolute pleasure working with him over the years. It was a pleasure producing his last album "Going Back Home". We chose the music on that album based on Phillip's musical tastes and background. He especially enjoyed doing the Champion Jack Dupree song "Bad Blood". It later became a standard in his live repertoire, in addition to one I wrote for him, "Lay You Down". We also had a great time with him years ago at the Moulin Blues Festival in Holland where he performed with The Mannish Boys, and the again at Ground Zero in Clarksdale, Mississippi for our 3rd Annual Delta Groove All-Star Blues Revue. There's some great footage of him playing at Ground Zero that we hope to one day put out and share with everyone. He was definitely a one of a kind. He will be missed."
© 2010. Delta Groove Music

Johnny Otis biografie

Johnny Otis werd geboren in Vallejo Californië en werd als muzikant en producer beschouwd als de ‘godfather of Rhythm & Blues’. Tijdens de jaren 30 richtte hij zijn big band op en hij stond mede aan de wieg van de West Coast waardoor deze strekking een populaire smeltkroes werd van diverse stijlen.

In ‘Midnight at The Barrelhouse’ brengt professor George Lipsitz de eerste biografie uit van deze legende. Lipsitz beschrijft Johnny Otis in zijn boek als een complex persoon die zichzelf zag als een klein onderdeel van een veel groter geheel. Het boek begint met de rassenonrust in 1965 in LA en meer bepaald in het zwarte gedeelte van de stad.

Dit 264 pagina tellende boek is een perfecte weergave van het leven van Johnny Otis met beschrijvingen over de Barrelhouseclub in Watts waar Otis kind aan huis was met zijn band met wie hij 17 top 40 hits bijeen speelde tussen 1940 en 1969 met nummers als ‘Willie & The Hand Jive’.
Johnny Otis wordt ook aanzien als de ontdekker van legendes als Etta James, Jackie Wilson en Big Mama Thornton…

Midnight at the Barrelhouse een aanrader van formaat en uitgebracht door de Universaty of Minnesota Press en te verkrijgen via kanalen als Amazon.

 

Blueszangeres Marva Wright (62) overleden

NEW ORLEANS - De Amerikaanse gospel- en blueszangeres Marva Wright is dinsdag 23 maart 2010 op 62-jarige leeftijd overleden. Wright bezweek aan complicaties na de beroerte die ze in juni vorig jaar kreeg na een optreden in een club in Bourbon Street in New Orleans.

Wright zong jazz, blues en gospel. Bekende nummers van haar waren 'Heartbreakin' Woman' en 'Mama, He Treats your Daughter Mean'. Met haar band BMW trad ze onder meer op tijdens het New Orleans Jazz and Heritage Festival.

Wright kwam al jong in aanraking met muziek door haar muzikale moeder die omging met de bekende gospelzangeres Mahalia Jackson. Toch begon zepas aan haar professionele zangcarrière toen ze bijna 40 was.

Alex Chilton overleden (dec 28, 1950 - march 17, 2010)

Alex Chilton is voornamelijk bekend als zanger van Big Star en Box Tops, maar ook van zijn werk als soloartiest. De man overleed gisteren vermoedelijk aan een hartaanval. Volgens de krant ‘Memphis Commercial Appeal’ voelde Chilton zich woensdag onwel en werd hij naar de spoeddienst gebracht, waar hij later overleed. Alex Chilton werd 59 jaar.
Box Tops en Big Star
Box Tops lieten zich inspireren door The Beatles en The Kinks en hadden verschillende hits in de jaren zestig. Zo stond ‘The Letter’ in 1967 op de eerste plaats in de Amerikaanse Billboard. Box Tops hielden er in 1970 na verschillende personeelswissels mee op. Het commerciële succes van Box Tops zou hij met zijn latere band Big Star niet meer evenaren. Niettemin was hij een invloedrijk muzikaal figuur, zo werden zijn nummers gretig gecoverd door ondermeer Wilco, Elliot Smith, Graham Coxon en Jeff Buckley. Het Amerikaanse magazine ‘Rolling Stone’ plaatste de drie albums van Big Star in zijn top 500 van ‘Greatest Albums of All Time’. De heren van Big Star stopten er in 1974 mee, twintig jaar later vertrokken ze terug op allerhande tournees. De huidige zou hen dit weekend naar het Texaanse showcasefestival SXSW brengen.
Solo
Na de split van zowel Box Tops als Big Star, begon Chilton met het uitbouwen van een solocarrière. Midden jaren tachtig verhuisde hij van Memphis naar New Orleans en liet hij zijn muzikantenbestaan eventjes voor wat het was. Door zijn interesse in nieuwe groepen als R.E.M. begon hij eind jaren tachtig opnieuw muziek te maken. Hij bracht als solo-artiest in totaal 11 albums uit.
Een held:Pascal Deweze begeleidde in 2004 samen met Mauro zijn muzikale held en verzorgde in 2006 het voorprogramma van Big Star. De frontman van Sukilove herinnert zich dat Chilton toen ook met de gezondheid sukkelde. “Hij was toen wel terug bezig met nieuw materiaal en ik keek er al naar uit om het te horen. Chilton was ook enthousiast om samen met Mauro en mij eens iets te doen. De dood van een held is altijd verschrikkelijk nieuws, zeker als het zo onverwachts komt.” (bron:Knack)

Pascal Deweze begeleidde in 2004 samen met Mauro zijn muzikale held en verzorgde in 2006 het voorprogramma van Big Star. De frontman van Sukilove herinnert zich dat Chilton toen ook met de gezondheid sukkelde. “Hij was toen wel terug bezig met nieuw materiaal en ik keek er al naar uit om het te horen. Chilton was ook enthousiast

Dale Hawkins is niet meer....

Dale Hawkins, a songwriter and singer whose rockabilly repertory included the 1957 hit “Susie Q,“ a bandstand classic for generations of rockers, died on Saturday in Little Rock, Ark. He was 73.

The cause was colon cancer, his Web site said.

Mr. Hawkins drew deeply from the heavy blues sounds of South Louisiana to create a classic of what is sometimes called swamp rock. Just as important were the explosive riff supplied by James Burton, one of rock’s first superstar guitarists, and the gong of a cowbell at the song’s beginning. “Susie Q” (the title was also sometimes rendered as “Susie-Q,” “Suzy-Q” and other variations; neither Mr. Hawkins nor his record company was consistent) reached No. 27 on the Billboard chart.

But the song’s influence can be measured in the many bands that have made it a rock anthem, as well as the many that have recorded it, including the Rolling Stones and Creedence Clearwater Revival, whose 1968 version reached the Top 20.The Rock and Roll Hall of Fame chose it as one of the 500 songs that “shaped rock and roll.”

Mr. Hawkins has said that he and Mr. Burton came up with “Susie Q” as they improvised around Mr. Burton’s guitar flourish. “I wrote it, but never actually wrote it — it just kind of worked itself out,” he said in an interview with the music magazine Kicks.

When the song was first published, according to Colin Escott’s book “Tattooed on Their Tongues: A Journey Through the Backrooms of American Music” (Schirmer, 1996), it was credited to Mr. Hawkins; Eleanor Broadwater, the wife of a disc jockey; and Stanley J. Lewis, the owner of a local record shop and later a record producer and distributor.

In a 2000 interview with the weekly newspaper Denver Westword, Mr. Hawkins said the names of Ms. Broadwater and Mr. Lewis had been added unknown to him and for reasons he never understood. But that addition, he said, meant that he got only a third of the songwriting royalties. Indeed, he claimed that until MCA bought the Chess Records catalog in 1985, he received nothing for “Susie Q.”

The song’s title seems to have come from a dance craze of the mid-1930s. A song called “Doin’ the Susi-Q” was included in the Cotton Club Revue of 1936. According to Mr. Escott, some sources say that Mr. Hawkins claimed to have seen Howlin’ Wolf, the blues singer, down on his knees screaming “Suzie something or other.”

Delmar Allen Hawkins was born on Aug. 22, 1936, on his grandfather’s cotton farm in Gold Mine, La., where he grew up. His father and other family members were musicians who toured Arkansas and Oklahoma in the 1930s and ’40s. His cousin Ronnie Hawkins was also a rockabilly recording artist.

At 16, Dale lied about his age to join the Navy and served in the Korean War. He formed a band shortly after that.

Mr. Hawkins recorded “Susie Q” for Checker, a subsidiary of the celebrated Chicago blues and R&B label Chess Records. He was one of the first white artists the company signed. He was also one of the first white artists to appear at the Apollo in New York and the Regal in Chicago.

In the mid-1960s Mr. Hawkins became a record producer, working with the Uniques, Bruce Channel and the Five Americans, whose “Western Union” made the Top 10 in 1967. In 1969 he returned to singing with the album “L.A., Memphis & Tyler, Texas.”

In the 1980s, after recovering from an addiction to prescription drugs, he opened a crisis center for teenagers in Little Rock.

Mr. Hawkins is survived by his companion, Flo Murdock; his sons, Jeffrey and Jay Paul; his brother, Jerry; his sister, Linda Snider; and three grandchildren. (bron NY Times)

 

Lil' Dave Thompson February 14, 2010

February 14, 2010

It is with immense regret that we inform you of the passing of Lil' Dave Thompson at 7am this morning as the result of an automobile accident outside of Augusta, Georgia, while touring with his band. The other band members were not seriously injured. A dynamic artist, widely acknowledged as one of the very best of the current generation of Mississippi Blues Artists, Lil' Dave will be sadly missed by his family, friends and blues music lovers world wide. More details will be posted as they become available. (Andrew Galloway Electro-Fi Records)

It is with great sadness that we report the death of bluesman Lil' Dave Thompson. The noted blues guitarist was killed in an auto accident outside of Augusta, Georgia at 7:00 AM on Sunday morning, February 14, 2010. Thompson and his band were returning home to Greenville, Mississippi from Charleston, South Carolina where they had performed Saturday night, the last gig on a lengthy and successful tour. None of Thompson's band members were seriously hurt in the accident.

Thompson was born in Mississippi in 1969 into a blues family, his father Sam having performed alongside artists like Asie Payton, Willie Foster, Paul Wine Jones, and others. He began playing guitar at the age of nine, and was playing in local bands in his early teens. Thompson made his recording debut in 1995 with the release of Little Dave and Big Love on the Fat Possum label. Although he would literally disappear from the blues scene for better than six years, Thompson would reappear in 2002 with his album C'mon Down To The Delta.

It was with a pair of albums for the Electro-Fi Records label, however, that Thompson would make a big noise in the blues world. Thompson's Got To Get Over You (2006) and Deep In The Night (2008) would be accompanied by constant touring and critical acclaim, and would earn the guitarist a loyal and growing audience. Thompson is survived by his wife of 15 years, Susan White, and by five children. Our thoughts go out to Thompson's family, friends, and many fans worldwide.

CD review

 

WINNAARS DELIRIUM BLUES CONCOURS BEKENT - LINE UP DELIRIUMBLUES 2010 VOLLEDIG

1 Lightnin’ Guy & The Mighty Gators
2 Mocambo (nl)
3 Poplowsky
4 Jonny and The MG’s (nl)
5 The Ragus (fr.)
6 Twist of Fate

"Jimi Hendrix  World Freedom Festival"  17/04/2010 Lichtervelde

Tony Spinnerband (rockblues),
Zanger/gitarist van de legendarische band TOTO zijn de absolute toppers van het "Jimi Hendrix  World Freedom Festival"  2010!!, Tony is een muzikant in hart en nieren die bovendien gezegend is met een fantastisch stemgeluid en een virtuoos gitaartechniek. Vanaf 1999 is Tony vaste zanger en ondersteunend gitarist bij de wereldformatie TOTO. Hij zingt de leadpartij op een van TOTO’s grote succesnummers “I can’t stop loving you”. Tony heeft meegewerkt aan de TOTO cd “Livefield” en de TOTO “Live in Amsterdam“ DVD die in september 2003 is uitgebracht.
Als Tony niet met TOTO op tournee is, speelt hij regelmatig met zijn eigen band The Tony Spinner Band in de Verenigde Staten .Maar nu komt hij naar Europa speciaal voor de herdenking van Jimi Hendrix (Dit jaar is Jimi Hendrix precies gstorven) komt hij met z'n cd versie uit 2003: Voodoo Crossing - a tribute to Jimi Hendrix.

Gwyn Ashton  Two man blues army  (powerblues)
In Frankrijk, waar ze over het algemeen ook wel verstand hebben van blues, is de Australiër Gwyn Ashton in 2001 uitgeroepen tot de op twee na beste gitarist ter wereld. Na Jeff Beck en Gary Moore, welteverstaan,veel meer moet je er niet aan toevoegen!! Dus dan hebben we het wel over iemand. Samen met drummer Dave Small speelen ze onvermoeibaar zeer ongepolijste blues(rock)-tracks, waarin Seaick Steve Zeppelin Hendrix en zeker The White Stripes nooit veraf liggen! dit wordt een onbetwistbare hoogtepunt,vette powerblues dus.
Le Chat Noir (alternative rock band)
In amper drie jaar tijd wisten deze Bonnie & Clyde (usa/uk) van de  rock 'n' roll meer dan 300 optredens o.a.Kinky Star & Vooruit Gent, AB Brussel, 4AD Diksmuide, Melk Rock, Gentse Feesten, Zwarte Cross Fest. enz... Het duo (wordt nu al vergeleken met de White Stripes maar ook wel onze Black Box Revelation) is berucht om hun 'full throttle live' shows waarbij ze een verassend sterke sound weten neer te zetten!!! Op Delirium Bluesfest.komen Teddy Hesper en zijn lief Eileen Spruce hun derde cd 'Postcards “From The Dark Higway' voorstellen tuurlijn zullen zij ook Jimi niet vergeten en een speciale versie spelen van Hendrix!! Een duo dat je "Live" moet beleefd hebben!.
JesusVolt (alternative band) 
Dit is ontegensprekelijk de vreemde eend in de bijt maar daarom niet minder geliefd.  Jesus Volt is niet bepaald een blues band zoals de bluesliefhebbers zouden veronderstellen. Deze groep vraagt om ruimdenkende genres zoals punk/rock, blues, rock, funk en psychedellische toestanden.  Met invloeden van Howlin’ Wolf, Sonny Boy Williamson, Joy Division The Doors, Rory Gallagher, Stooges, Iggy Pop ea… heb je een idee van het plaatje.  Het instrumentarium is ook gedurfd maar daarom zeker niet minder orgineel: didjeeridoo, gitaar en percussie en dj zorgen voor een grensverleggend stukje muziek!By the wy Jean-Marie Aerts (T.C Matic) is producer van tal van hun albums!! Voor rock’n roll bands zijn ze te blues en voor bluesbands klinken ze te rock’n roll. Weet je wat?  Luister en oordeel zelf !

Bill Roseman wiht the Jimi band (blues)
Geboren in het zuiden van New Jersey in de buurt van Philadelphia, Bill Roseman ontmoeting met de blues kwam er door artiesten als Michael Bloomfield en BB King. Picking up een gitaar op de leeftijd van dertien, jonge Bill begon een muzikale odyssee tot op de dag van vandaag. Bill verdiepte zich in de Europese blues wereld, de oprichting van het Medford Slim Band samen met Themaestro "Lazy Lew"  De band genoot een solide vijf jaar stint waarin zij bracht twee cd’s brachten en speelde op talloze club en festival optredens. Hoogtepunten het Amsterdamse Blues Festival, en B.R.B.F. Nu staat Bill er teurg met z'n band en staat te popelen als een jong veulen om z'n nieuwe stijl (blues) muziek voor te stellen!!!
Lightnin'Guy& TheMightyGators (blues)
blues band rond, zanger, slide gitarist & mondharmonica speler Guy Verlinde is zeker de blues sensatie uit België!!! Na een succesvolle reeks optredens, waaronder op het BRBFPeer,BluespleinEindhoven, waar zij het podium deelden met John Fogerty, Jeff Beck, Sonny Rhodes, Joe Bonamassa, Steve Winwood, Dereck Trucks, Watermelon Slim, ... zijn ze klaar om in '10 de harten van het grote publiek te veroveren met hun feel good ambiance blues en roots show van zeer hoog niveau.ze kunnen hun publiek intermitterend als geen ander!!!ambie trof dus..

Blues-diva Etta James in ziekenhuis met bloedinfectie (Feb 01 - 2010)

De legendarische blueszangeres Etta James is opgenomen in een ziekenhuis in Californië. De 72-jarige Amerikaanse wordt er onder meer behandeld voor een bloedinfectie en een urineweginfectie. James heeft bovendien last van een spraakprobleem.

De gezondheidsproblemen bij de 72-jarige James doken op toen ze in een ontwenningskliniek verbleef vanwege een verslaving aan pijnstillers en andere medicijnen. Haar zoon liet het persagentschap Reuters weten dat ze al een week in het ziekenhuis ligt.

 "Mijn moeder staat voor een groot gevecht", aldus Donto James. Etta James is vooral bekend van hits als "At last" en "I just wanna make love to you". De zangeres raakte in jaren '60 verslaafd aan alcohol en heroïne. In 2007 werd ze al eens opgenomen in het ziekenhuis vanwege complicaties na een buikoperatie

bron: Skynet - Belga

Canadese folkzangeres Kate McGarrigle gestorven op 63 jarige leeftijd... (Feb 06,1946 - Jan 18,2010)

De Canadese folkzangeres en liedjesschrijfster Kate McGarrigle, best bekend als de ene helft van het zingende zusterduo Kate and Anna McGarrigle, is in de nacht van maandag op dinsdag op 63-jarige leeftijd aan kanker overleden.

Schoonbroer Dane Lanken zei dat Kate McGarrigle in haar woning in Montreal is overleden, omgeven door haar zusters Jane en Anna, en haar kinderen Rufus Wainwright en Martha Wrainwright die ook zingen. De zangeres streed sinds de zomer van 2006 tegen kanker.

Kate en Anna McGarrigle startten hun muzikale loopbaan al in de jaren zestig en kregen stevige aandacht in de jaren zeventig, toen bekende vertolkers liedjes van coverden, zoals "Heart Like a Wheel" door Linda Ronstadt. Het nummer stond ook op het eerste, titelloze, album van de zusjes uit 1975. Ditt omvatte ook het liedje "Complainte pour Ste Catherine" dat zowat hun uithangbord werd. Andere bekende nummers waren "The Work Song", "Cool River" en "Lying Songs".

Tijdens een concert in de Leuvense Aula, was het hek van de dam toen het duo uitpakte met het tevoren onbekende liedje "Stella by Artois" dat op het derde album "Pronto Mondo" prijkt. De zusjes traden later ook op het folkfestival van Dranouter.

McGarrigle is getrouwd geweest met singersongwriter Loudon Wainwright III. Ziekte in de familie aangevend, lastte hun zoon Rufus Wainwright onlangs een concerttournee af. (bron: Het Nieuwsblad)
 

R.I.P. Jimmy Wyble ( january 15, 1922 - january 16, 2010)

Every once in while an important musician passes away without much acknowledgement of their contributions and accomplishments. The recent passing of guitarist Jimmy Wyble might fall into this catagory.

Jimmy may be best known amongst our crowd for the time he spent with Bob Wills and his memorable playing on such Wills' favorites as Roly Poly, but Jimmy had a much broader career than that and played with many artists such as T. Texas Tyler, Spade Cooley, Red Norvo and Frank Sinatra. He also did a ton of session work during his many years in California.

Danny Coane of the Starline Rhythm Boys had the good fortune of meeting Jimmy in Vermont in the Fall of 2006 and even got Jimmy to join the Boys on stage!

Here's Danny's recounting of that experience and his kind words on a true guitar master:

I first met luthier Roger Borys in, I think, the early 80's - possibly after The Throbulators started (1982).  I had heard about Borys Guitars and went to the shop to visit.  Early on, Roger told me that he had made jazz guitars (that was his thing, arch top jazz guitars, either acoustic or electric) for some heavy weight jazz cats like Barry Galbraith, Larry Coryell, the late Emily Remler, Joe Pass, and some others - plus many other players around the world.  He told me one of the players he made a guitar for was JIMMY WYBLE.  I remember saying, "THE Jimmy Wyble", as I recognized Jimmy's name from Bob Wills' recordings I had.  He said, "Yes" and that Jimmy was living and playing in California.  Roger told me that Jimmy had heard of him (Roger) from Barry Galbraith and that Galbraith had told Jimmy that Roger made awesome guitars and that he (Jimmy) should order one. 

Apparently, Jimmy made Roger's acquaintance via letter/phone and that is how they communicated all the years until this Sept 2006 meeting, as Jimmy would not leave his home in California because he was caring for his wife, Lily, who was afflicated with MS and had been for quite a number of years.  In fact, all the time she had the illness, Jimmy did not perform out much - mainly gave lessons and did some session work.  She had met Jimmy the first time he went east to play in NYC with either Red Norvo or Benny Goodman.  Lily was a huge jazz fan and knew all about the players.  Jimmy told me that when he first met her at a club and introduced himself, she said, "I know you - you played with Bob Wills". That was how hip she was. They fell in love and married - never had kids. Very devoted to each other.

Jimmy grew up in Port Arthur, TX and played in some local bands.  He was also a real student of the guitar and went to school for it.  Not only did he possess a great ear and hands, but he was a complete reader and knew all about theory, etc.  A total player.  At some point, he met a fellow Texan, Maurice "Cameron" Hill, who could not read, but had an incredible ear and was great with harmony.  They became fast buddies for life and at one point were playing in some Texas dance band, when Millard Kelso, Wills' piano player, heard them.  It was Kelso who hooked them up with Wills and when Wills heard them, that was it - a new sound for Bob - TWIN GUITARS.  They joined Bob at the time of his big band (horns, etc).  Jimmy told me he had an old Charlie Christian Gibson that he loved, but it was pretty beat.  After Jimmy & Cameron joined the Playboys, Bob gave them $1,100 to go out and buy two new guitars.  This was in California.  They went to some music store and wanted to get Gibson L-5's, but all they had were blonde Epiphone Emperors, so they went with those and those guitars were the ones used on the classic late 40's sessions.  Matching blondes!   Jimmy told me he gave his back to Bob when he left the band (early 50's?), but Cameron kept his.  Junior Barnard (!), who replaced Jimmy in the Playboys, used the blonde Emperor and you can see that in pics of Junior.  

 Jimmy relocated to California.  At one time he tested all Magnatone amps coming off the assembly line!   (At this Sept 06 meeting at Borys, somebody brought in an old wood chassis Magnatone and Jimmy said, "I probably tested that amp!")   He & Cameron joined Spade Cooley's band.  Jimmy also played in Tommy Duncan's band after Tommy left Wills.  Jimmy definitely had a "jazz head" and somehow (I don't know all his jazz history) hooked up with the great jazz vibraphonist, Red Norvo.  He played for Red for a number of years and also played in Benny Goodman's orchestra.  Jimmy told me he used to arrive for rehearsals an hour ahead of time and Goodman would always ask him why he was there - Jimmy just wanted to be ready!  He said Goodman was a real task master.  Jimmy was also in Frank Sinatra's band and toured.  And Jimmy was in the band in the original Oceans 11 movie.  I know Jimmy worked with a bunch of other cats, plus he did a bunch of session work and was a legendary guitar teacher in California.  It is purported that he gave some lessons to Duane Eddy when Duane was in CA, but Jimmy told me he doesn't really remember Duane.  So there's that part of the background....

Jimmy's wife passed away in the Spring 06 and it was after this that Roger Borys and some others (Jim Hershman) urged Jimmy to travel east to meet Roger and see his shop.  Roger had made at least 3 guitars for Jimmy by that time.  So Jimmy flew to NY and this is where New York jazz guitarist Jim Hershman met him and then brought him up to VT.

 Roger called me and said, "Guess who's coming to visit....Jimmy Wyble".  I couldn't believe it.  Jimmy was 84 then.  I remember driving to Rogers' shop with my black Borys.  Walking in and there's this little old man with glasses (Jimmy always had bad vision and you see him wearing glasses in some photos of the Texas Playboys back in the late 40's).

I remember Roger introducing me to him and I reached out my hand to shake, but Jimmy just approached me and hugged me like a long lost son, saying, "Oh Danny it's so good to meet you - Roger has told me all about you".  I couldn't believe it.  He was such a warm, loving, humble, kind guy - a real honest human being.  We all had a great time talking about music, Jimmy's old bands/stories, etc and then he played some.  Oh man!

 Well, at the shop Roger said, "We're coming over to see you (the Starline Rhythm Boys) at the Big Picture tonight".  And I said, "What?", like thinking why does Jimmy Wyble want to see us?  And Jimmy said, "Oh yes, I want to see you and your group".  And I was getting nervous.  Roger said he was going to take Jimmy, Jim and Aaron Flinn over the Appalachian Gap as the foliage was out some and have dinner in Waitsfield and then come see us.

 Well, they did.  I remember playing the first set and then on break went up to talk to them.  Jimmy said he loved the band, what we were doing, the simplicity of it.  He was so complimentary - I couldn't believe it.  Then I asked Jim Hershman if he thought Jimmy might want to get up and do a number with us.  I had brought my Borys and Fender Vibrolux as Roger had suggested, thinking this might happen (good for him!).  So I asked Jimmy and he said, "Why I'd love to".  So up he comes.  I gave him an intro - said a few things about who he had played with, etc.  We did "Milk Cow Blues" and I did some of the "Brain Cloudy Blues" lyrics cause I knew Jimmy cut that with Wills.  Jimmy took this wonderful, simple solo.  Anyway, he had a tear in his eye at the end and kept thanking us for letting him sit in.  I didn't realize it at the time, but he later told me that this was the first time he had been on stage in 23 years!  as all that time he had been caring for Lily and had not really played out.  I couldn't believe it.  Also, later, when he returned to California, he started playing out some again - did a solo guitar gig at this little tea room.  And we started back teaching at GTI in LA.

We kept in touch some after.  I sent him all the Starline recordings, which he told me he loved.  Every time I would speak with him on the phone he would always ask about "Billy and Big Al" and our families and would tell me for us to keep doing what we're doing; that "you have a great little trio there". I know he was sincere and not just stroking my ego.

 Jimmy just loved music, guitars, playing, teaching.  I last spoke with him by phone between Christmas and New Years - he sounded fragile and  I could tell his health was not good, but he remembered everything and was upbeat under the circumstances.  He had not played a guitar at all since March 2009 as he developed a heart and blood infection and also had osteoporosis.

 Anyway, one of the most beautiful cats going and most definitely THE REAL DEAL!

Danny Coane

Montpelier, Vermont
W.J. Hunt
Cow Island Music
January 21, 2010

 

website Cow Island Music

Singer-songwriter Bobby Charles opverleden op 72 jarige leeftijd ( 21 feb. 1938 - 14 jan. 2010)

De Amerikaanse zanger en songwriter Bobby Charles is op 72-jarige leeftijd overleden. Dat heeft zijn woordvoerster bevestigd.

Het is nog niet bekend waaraan de songwriter, bekend van de nummers 'See You Later Alligator' en 'Walking to New Orleans', aan overleed, maar de R&B-muzikant leed wel aan kanker en diabetes. Bovendien zou hij net herstellende zijn geweest van een val.

Bobby Charles, geboren als Robert Charles Guidry, groeide op in Louisiana waar hij de cajunmuziek, een mengeling van onder meer Franse volksmuziek, leerde kennen. Later begaf hij zich op het pad van de rock- en bluesmuziek.

In zijn tienerjaren schreef hij de tekst en de muziek van 'See You Later Alligator'. Het nummer werd ingezongen door Bill Haley and His Comets en bereikte in 1956 de zesde plaats in de Amerikaanse hitlijsten. In 1960 bracht pianist en zanger Fats Domino een succesvolle cover van 'Walking to New Orleans' uit.

Bobby Charles bracht verschillende albums uit waaronder 'Wish You Were Here Right Now' (1995), 'Secrets of the Heart' (1998) en 'Homemade Songs' (2008). (bron: GVA)

 

VIC CHESNUTT overleden op 45 jaar (12-11-1964 / 25-12-2009)

CD review

Athens, 26 dec. De Amerikaanse zanger Vic Chesnutt is gisteren op 45-jarige leeftijd overleden. Dat meldt zijn platenmaatschappij Constellation Records op zijn website. Volgens The New York Times gaat het om zelfmoord.

Chesnutt zat in een rolstoel nadat hij gedeeltelijk verlamd raakte bij een auto-ongeluk in 1983. Hij werd onder meer bekend dankzij zijn samenwerking met andere muzikanten, waaronder zanger Michael Stipe van R.E.M. en gitarist Guy Picciotto van de punkband Fugazi.

De Amerikaanse krant The New York Times schrijft dat Chesnutt in een coma zou zijn geraakt nadat hij een overdosis spierverslappers had geslikt. De singer-songwriter zou meerdere zelfmoordpogingen hebben gedaan in zijn leven.

Chesnutt ging kort geleden nog op tour met zijn Vic Chesnutt band, samengesteld uit musici van verschillende bekende Canadese bands.

In het afgelopen jaar verschenen er twee albums van de rockartiest, waaronder 'At the Cut'. Chesnutt speelde in Nederland onder meer op Crossing Border en op het Holland Festival. (bron: NRC Handelsblad)